by Daniel Mittler
This book is an ambitious one. It calls on
all of us to reclaim architecture for democracy. Instead of simply "accepting
what is handed to us" (p. 7), we should reflect upon and control
the cities we inhabit. This book is also a powerful one. Its title is
one of its most arresting metaphors. "Clone City" refers to
the mind-boggling diversity of suburban neighbourhoods popping up around
Scotland´s central belt which, though all different and individually
branded, nonetheless look the same. Clone City powerfully describes
an urban development which lacks any coherence (developments can appear
anywhere) but is, at the same time, characterised by commodified homogenisation.
The book acts as a powerful eye opener attacking the mindless market-driven
proliferation of "separate brick boxes" (p. 102) which is
the reality of (sub-) urban development in Scotland today.
The authors, an architectural historian and an architect respectively,
are masters of the broad stroke. They summarise the history of Scottish
architecture in a few engaging pages. But they are also acutely aware
of the importance of detail; they supply superbly researched examples
to back up their case when appropriate. Beautiful aerial pictures are
used to good effect. Though sometimes dated, they are so stunning that
they make the book worth having even if one has no intention of reading
it.
That said, this book leaves a lot to be desired. Its prose is hyperbolic
and difficult to penetrate. It is highly readable - for experts only.
For a book that attempts to initiate a democratic debate on Scottish
architecture (which goes beyond the endless arguments surrounding the
building of the Scottish Parliament itself), its language is simply
inappropriate. Terms such as Fordism, Taylorism, Functionalism or even
Progress litter the argument with little explanation. Some terms, such
as Capitalism, are used very vaguely; some, like Postmodernism, are
defined in a manner which will seem non-sensical to anyone not familiar
with the cannon of writing on Postmodern Architecture.
The erudite attack on Clone City is the real strength of this book.
The solutions it offers are disappointing in the context of the hard-hitting
nature of this attack. Not that the alternatives the authors argue for
fail to make sense. There clearly is a need for more effective regional
planning in Scotland (especially after local government reorganisation
in 1996 abolished regional councils). There is a case for considering
the central belt as one big urban mass - as Patrick Geddes's "Clydeforth".
The authors' plea to actively embrace planning for Clydeforth in order
to fight urban fragmentation is worthy of debate. Their call to rethink
and, at times, move the Green Belt is, while controversial, also coherent.
At times, the Green Belt does indeed lead to leap-froging, to people
moving even further away from the city they commute to. The idea to
develop New Towns to absorb excessive populations is an old-hat, however,
and has, for England, at least, been made much more forcefully by Sir
Peter Hall and Colin Ward in their seminal Sociable Cities (Wiley, London,
1998).
None of these suggestions are original, then. Worse, many seem half-baked
and not up to meeting the challenge of Clone City. After attacking Clone
City sprawl, the authors still urge us to accept and even embrace suburban
development. They praise car-dependent and aesthetically disastrous
edge-of-town developments such as Edinburgh Park (which David Page had
a hand in as an architect). Meanwhile, their call for more public transport
is welcome but, at the same time, a naive common place. Better public
transport alone will not deliver more desirable and sustainable neighbourhoods
(just look at Paris!). And the history of planning is littered with
visionaries such as Geddes or Howard (whom the authors cite approvingly)
demanding public-transport based New Towns and, in practice, achieving
car-dependent East Kilbrides. What reason do Glenndinning and Page have,
one wonders, to assume that their New Town proposals will fare any better
in the harsh, market-driven world which they themselves describe?
Despite these shortcomings, however, this book has to welcomed in its
boldness. If it manages to rekindle a debate on Scottish urban life;
if it helps us to realise that cities are not places we merely inhabit,
but places we must collectively shape, this book deserves our unqualified
praise.
...back
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Miles Glendinning and David Page: Clone
City, Crisis and Renewal in Contemporary Scottish Architecture,
Polygon, Edinburgh, 1999, ISBN 0 7486 6255 3 (paperback), 236 pages, £
11.99
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